9.22 | 活力迷幻音乐组合Wolf Müller ＆ Niklas Wandt

来自杜塞尔多夫的WOLF MÜLLER又名JAN SCHULTE / BUFIMAN，已在International Feel Recordings、Music For Dreams和Dekmantel等厂牌发布了不同别名的独特作品。

WOLF MÜLLER from Düsseldorf, also known as JAN SCHULTE / BUFIMAN, has released unique works under different aliases on labels labels like International Feel Recordings, Music For Dreams and Dekmantel.

2011年，WOLF MÜLLER与 NIKLAS WANDT在Salon Des Amateurs周围充满活力的杜塞尔多夫音乐圈上相遇。他们一开始的合作非常随意，WOLF MÜLLER在他的首批发行如 “Balztanz” 就纳入了NIKLAS的打击乐。在几箱啤酒，熏香环绕以及多次录制合作的催化作用下，他们在WOLF MÜLLER的Flanger工作室建立了稳定关系并配合出日益精湛的live演出。

They met in the vibrant Düsseldorf music scene surrounding Salon Des Amateurs in 2011. A casual musical collaboration developed in which Wolf Müller aka Jan Schulte aka Bufiman recorded Niklas’ random percussions for his first releases like “Balztanz.” Several crates of beers, incense and records later, they established a steady working relation both live and in the Wolf Müller Flanger Studio.

当他们第一次合作录音时，许多不同世界的音乐搭配一起大放异彩。两位拥有馆藏人士般激情的音乐人：一个广受赞誉自称非音乐家但满是艺术激情的左派DJ和一个头发很有型的家伙，他俩通常在各种可以击打的设备上上演Krautrock和自由爵士乐。

Many musical worlds conflagrate in their first collaborative recording: of two music lovers with a librarian’s passion; of an acclaimed leftfield DJ, self-proclaimed non-musician and passionate dilettante and of a guy with funny hair usually playing Krautrock and free jazz on all kinds of devices you can beat, stroke and bow.

WOLF MÜLLER与 NIKLAS WANDT首张专辑 “Instrumentalmusik von der Mitte der World” 发行于Growing Bin Records

经过近两年的工作，他们的首张黑胶唱片和cd专辑“Instrumentalmusik von der Mitte der World”终于在Growing Bin Records上发行。他们的首张专辑名称所提及的The centre of the earth（世界中心）可能就是为了彰显此张专辑所囊括的不同的音乐交叉吧！欧洲臆想的民族声音被自由爵士乐所洗礼，重击Teutonic funk bass和无法模仿的犹太竖琴合成器所产生的从dub十足的Italo House音乐所体味不到的另一种音乐世界。

After almost two years of work, their debut double LP “Instrumentalmusik von der Mitte der World” finally sees the light of day on Growing Bin Records. The centre of the earth contained in their debut’s title is maybe just that sweet spot where the different strands of music cross paths: ethnical sounds as imagined by Europeans in overalls driven into free jazz dissolution, thumping Teutonic funk bass and the inimitable Jew’s harp over pad synths – music that could be culled from a dub-savvy Italo House producer’s sweet daydreams.