1.25 | Job Sifre (Knekelhuis/NL)

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活动结束日期2019年1月25日

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发布联系人: .TAG

图片 1

 

A DOSE OF JOY携手好友SYNCOPATION一同带来近年备受关注的荷兰DJ/制作人Job Sifre。SYNCOPATION主理人Luca与Postunk将会一同上演。更有我们的老朋友蘑菇音药主理人Sunny W。1月25日,周五.TAG舞池相见!

 

 图片 2

Job Sifre有着令人不可抗拒的笑容,作为Red Light Radio电台和De School俱乐部的驻场,Sifre是阿姆斯特丹深藏不露的潜力股,在全球范围内备受关注。他的worries EP在2017夏天Dekmantel Selectors音乐节被各路艺人播放无数。

 

图片 3 

“看你在DJ台上乐在其中的放音乐的样子真是有趣极了!” 一边面带让人无法忘记的笑容一边放着反乌托邦式的黑暗音乐,Job Sifre这位来自荷兰的年轻人已进入了越来越多人的视线。

Known for his enthusiastic, happy-go-lucky approach to DJing, Job Sifre has earned a reputation for making parties move to music that borders on the serious and challenging.

图片 4图片 5 

 

他在阿姆斯特丹Red Light Radio主持自己隔周一次的音乐节目Antikunst,也是借由这个机会更多全球的听众开始关注他,成为他狂热的追随者。Antikunst是他黑暗的音乐合集,通过new wave、electro、skewed synth-pop、EBM, industrial、experimental electronica以及woozy downtempo techno音乐呈现出反乌托邦的世界。

He’s already built up a cult following worldwide thanks to hosting a fortnightly show on Red Light Radio. Titled Antikunst, it offers a dystopian trawl through the worlds of new wave, electro, skewed synth-pop, EBM, industrial, experimental electronica and woozy downtempo techno.

 

图片 6

 图片 7

图片 8

Job Sifre 2017年在Interstellar Funk的Artificial Dance厂牌发行了自己的首张专辑,其中包含了令人印象深刻的EP,名为“Worries”。首张专辑的6首音乐不仅是Sifre受众多不同音乐类型影响的升华,更以他自己独特的风格重新塑造和包装呈现为Job Sifre式的风格。我们期待在未来几年内从Sifre的工作室听到更多黑暗且新鲜的音乐制作。

Sifre made his production debut on Interstellar Funk’s Artificial Dance label in the autumn of 2017 with an impressive EP entitled Worries. It’s nothing less than a six-track distillation of Sifre’s many and varied influences, re-shaped and re-packaged in his own distinctive style. We can expect to hear more dark and otherworldly material from Sifre’s studio in the years to come.

 

下面的访谈里,Job Sifre说到了自己的音乐制作和电台节目:

采访来源http://krossfingers.com/hero-job-sifre/

 

图片 9 

 

你在Artificial Dance的黑胶发行不是通常的首发专辑,听起来反而特别成熟淡定,你做音乐多久了?

Your 12″ on Artificial Dance doesn’t feel like the ordinary debut record, it feels very mature and confident. How long are you making music?

 图片 10

Job

哈哈哈,其实我并不淡定,我只是热爱干这件事情,去做我自己喜欢的音乐。能获得成功和得到大家认可,我也很受宠若惊。我做音乐很久了,不过很长时间都是玩票。我在两三年前才发掘了自己想要专注的音乐类型,那时候才开始认真起来。

Lol, not as confident as it might seem. I am just doing what I love to do, and making music that i personally would love to hear. That it would be this successful and people would think of me as a confident producer, was also a surprise for me. I’ve been making music for ages, but mostly just fucking around. I only just discovered 2-3 years ago what music I want to dedicate myself to, so since then making music was more serious.

 

图片 11 

 

触发你灵感的是什么?

What was that “click” about in your head?

 

Job

我听wavey和实验性音乐很久,两三年前才找到感染我的东西。起初我感觉大多电子音乐都是很令人激情澎湃的,比如house和工具性techno,因为一切对我都是新东西。过了一段时间,我越来越能琢磨和区分自己的喜好,我真正喜欢什么和我仅仅处于新鲜好奇去喜欢的东西。

I listened to wavey and more experimental stuff all along, but only 2-3 years ago I finally understood what it was that got me excited in this music. In the beginning I found most electronic music excited, so also house and tool techno for instance, because it was new to me. After a while, I could make a better distinction between what I really liked, and what I just liked out of curiosity.

 

 

图片 12 

在同一时期你开始了你的节目?

Around the same time you started your show, right?

 

Job

做节目大约一年多了。可以让我去发掘不适合俱乐部但是我个人喜欢的音乐。起初我只是下载适合绝了不的音乐,不然我也用不到。但我觉得很多不适合跳舞的音乐也很迷人,我需要一个正当理由去搜集它们,就是从那时候开始的。

I do my show for a little over 1 year now. My show motivates me to find music that isn’t fitted for the club. In the beginning I would only download songs that were suited for the club, because otherwise, I couldn’t use them. Although I found other non-dance music very beautiful, I needed to find myself a reason to pursue these tracks too, so that’s how it started.

 

图片 13 

 

在worries的开场track里的人声是你吗?live表演你怎么看?

Is it your voice on the Worries opening track? Does the idea about live show excite you?

 

Job

是我的声音。我暂时不是很想做live。我很容易对自己的track产生审美疲劳。做live意味着要做很多预演彩排,反复练习。而且我现在很享受DJ,所以想先专注于此。但我确实很想组建一个3-4人声,吉他,鼓器电脑合成的电子乐队。但是这是个比较久远的打算。

It is my voice, actually. I’m not really interested in doing a live show at this point, though. I get easily bored from my own tracks, so doing a live show means a lot of rehearsing, performing with songs I already heard 1000000 times. Also, I really love DJ’ing, so I wanna focus on that first. I am cautiously fantasizing about starting an electronic live band though, 3-4 people with vocals, maybe guitar, drum computers and a couple of synths. But don’t get too excited because that’s more of a long term dream for me.

 

 

 

作为一个制作人,你真的能做到捕捉当下你想要听到的音乐吗?你一般是即兴还是说在一些特定的track上发挥构建?

As a producer, can you say that you really can capture what you want to hear at this very moment in music? Is the music making always sort of improvisation or you find some idea/trick in others track and it leads you to create something on top of it?

 

Job

两者都有吧。你喜欢的音乐都是受到他人启发的。没有借鉴,就没有品味。听别人如何制作音乐,可以帮助我发掘他们做了什么以及启发我去展开自己的想法试验,以独一无二的方式构造我的音乐。除此之外,我也去制作我找不到的音乐体验。比如“我热爱wave/ebm 音乐, 我要如何使用它们去结合工业或者部落类的音乐?” 或者“我结合这种以及这种音乐影响制作出的音乐是什么效果?” 我一直在寻找将我喜爱的音乐与新的音乐相结合,制作以前没有制作的组合。只做另一个暗黑音乐对我个人来说很无聊。

It’s a combination, of course. What you love in music, is always inspired by other people. Without a reference point, taste doesn’t exist. And the way people produce, can inspire me to try to find out how they did something, or give me ideas to use a technique in a way that suits me. Besides this, though, I am also producing according to what I miss in music. For instance the thought: “I love wave/ebm music, how can I combine this with my love for industrial or tribal stuff.” Or „What would come out if I combine influences from this and this genre.” I am always in search of combining the sounds of music that I love with something new, make combinations that haven’t been made before. Just making another darkwave record would be boring for me personally.

 

 

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