12/23 OSKI 中国演出

  • 普通票 (ARKHAM; 巨鹿路168号)
    2017年12月23日 22:00
  • 预售票 (ARKHAM; 巨鹿路168号)
    2017年12月23日 22:00
发布联系人: SHFT.

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对于年仅19岁的Oski来说,一年前首次作品的发行并不是偶然,生来的音乐天赋催生了一位年轻BASS天才的崛起,整个澳大利亚东岸都遭到他所带来的强烈如地震般的低音强袭。他的多首被Bass音乐爱好者厚爱的单曲,不仅在全国掀起了巨浪,更在世界范围内引起了不俗的反响。四年磨一剑,首秀后的年轻新星一路猛进,很快就成为了Soundcloud, YouTube,和社交平台的宠儿。

魔性的Set,淘气的露齿笑,Oski就是那么独特。他的舞曲融合了丰富的元素,包括Hip-Hop, Trap, Dubstep和 Drum & Bass,这让他的作品获得了很多业界大佬的认可,其中就包括DJ Snake,Bassnectar,Dillon Francis,UZ,Bro Safari 和 DJ Craze等等。

在和UZ,Apashe及其悉尼同行Hydraulix合作数次后,Oski于2016年二月,在Disciple唱片公司发行了自己的硬派专辑The Best,广受好评。

四月Oski随UZ完成其澳洲巡演,并在七月完成自己的北美首演,之后便和UZ在工作室制作音乐。随后,他在UZ的厂牌Quality Goods下发行了他早期的唱片之一。拥有着大师级的制作水准,唱片Kid Chrome在2016年10月发行,随后又在2017年中发行了Kid Calamity,这使他成为了不断超前的新潮流制作人领头羊之一。

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It’s no coincidence that when the now 19 year-old Oski dropped his first track just a year ago, Australia’s east coast was forecast to be hit by an earthquake—this bass-lover’s tracks caused waves not just around the country, but internationally too. Debuting after a tedious four years of perfecting his style, the tender youngster exploded quickly, fast becoming a favourite across Soundcloud, YouTube and the blogosphere.

 

Sporting a mischievous grin and a magnetic set, Oski’s unique take on dance music infusing elements of Hip-Hop, Trap, Dubstep and Drum & Bass into his production style has earned him the recognition from the likes of DJ Snake, Bassnectar, Dillon Francis, UZ, Bro Safari and DJ Craze to name a few.

 

After releasing some monster collaborations with UZ, Apashe as well as fellow Sydney sider Hydraulix; Oski released his hard hitting ‘The Best’ EP with Disciple records in February of 2016 to much critical acclaim.

 

After touring along side UZ in Australia in April and getting in the studio with him while on his debut North American tour in July, Oski was then given the nod to produce one of the first EP’s to come out on UZ’s Quality Goods label, with the masterfully crafted ‘Kid Chrome’ EP set to be released in October of 2016 and then following up with the ‘Kid Calamity’ EP in mid 2017, cementing himself as one of the pack leaders in the new wave of producers constantly pushing boundaries.

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