12.14 Binh@NOMAD

Club der Visionaere在历经火劫后，依然持续输出着该区域一众俱乐部对minimal music和极简厂牌的领头热情。运河畔一派的舞客挑剔，靠几首调朱傅粉的浮夸曲目很难讨好，唯有变化微妙精致，能量结实平衡的extended DJ sets能掌控。这种推崇的势头渐猛，MIX MAG甚至曾发表过文章:

“SAY NO TO 60 MINUTES: EXTENDED DJ SETS SHOULD BE THE INDUSTRY STANDARD”。

After 12 hours, I said to someone,

'Hey, I cannot play anymore!' 

He said,

 'But why? The dance floor is full. You can't stop now!' 

So I had to continue. 

That was my first experience."

过了 12个小时。我问了一个人，

说 ‘Hey,我不能再放了。’

他回应到 ‘为什么呢？现在舞池是满的，你可不能停啊。’

所以我只好继续，

这就是我第一次的体验

Binh作为Club der Visionaere核心驻场，拥有足以构架一场高标准Long set的过硬技术实力和精妙选曲品味，带领舞池探索他唱片包的每一个角落。移居柏林后，从他那场被不少人冠以里程意义的12小时马拉松开始，他就用精湛的现场混音技巧，高质量的作品发行，最重要的还有他挑选尖儿货的digging，不断“收编人心”，以至于如今，他个人的影响力，已经从某种程度上超越了Club der Visionaere核心驻场的标签。

It's as a collector, above all, that Binh is truly special!

曼彻斯特Dog Eat Dog活动组织者曾在接待Binh时发出这样的感慨：
“作为收藏家，Binh实在是太特别了，他的选择充分证明了尚有大量未被发掘的遗珠异宝，这鼓励我们keep digging deeper！”以肯定Binh在digging艺术上的积极影响。

Digging是一门垂死的艺术，

偶然走进一间二手唱片店并不会使人从成千上万播放相似曲目的DJ中脱颖而出，就算是使用便捷的互联网工具，这仍需要耗费大量的时间。

Discogs是通往看似无限的被遗忘的厂牌、艺术家的门户，但只有狡猾和执着的搜寻才能有所收获。Binh搜寻的时代和流派并不是特别遥远，90年代是电子乐极为肥沃的时期，充满了未被发现的美妙音乐。

你可能会说，音乐从来不乏拥有如此持久热忱的爱好者，但一个专业的selector，能做到的绝不仅仅是偶尔扔出几个未知的神秘宝石以哗众取宠，更重要的是将自己深入的挖掘合适地编织于整个set。Binh每一次带来新的唱片，都会让你认为这是唯一一次机会听到它！

Binh沉稳扎实的行事风格一贯体现在他的艺术风格上。在来到柏林之前，经营餐厅的Binh时常带着一身薯条味在俱乐部放音乐。warm-up的DJ必须对接下来演出的人十分敏感，奠定整晚的调性和氛围，同时也必须放下加快节奏与炫技的虚荣浮躁。

机会总是留给有准备的人，在Binh身上得到印证。在Heimatmelodie一次派对上，Binh用他的warm-up赢得了Margaret Dygas的尊重，将他带到CDV并和他开始共同举办新的活动系列：Noon。同时Margaret开始忙碌起来，她告诉Binh希望他独立来运作这个活动，她并不能每次都到；在随后的几年时间里，Noon系列成为CDV最著名的定期活动，邀请的DJ比如：Vera，Mayaan Nidam，Onur Ozer，Evan Baggs和Nicolas Lutz。

"It was a Sunday. Tobi Neumann called and invited me to play. Suddenly he and his friends left, and I was DJing alone. After 12 hours, I said to someone, 'Hey, I cannot play anymore!' He said, 'But why? The dance floor is full. You can't stop now!' So I had to continue. That was my first experience."

So began Germann Nguyen's relationship with Club Der Visionaere. In the seven years since, the DJ better known as Binh has become the Berlin venue's key resident, fully embracing the canal-side spot's focus on subtle and extended DJ sets. His profile outside Berlin has risen significantly in that time, thanks to sharp skills behind the decks, a handful of releases and, perhaps most importantly, his enduring ability to seek out obscure house and techno. Manchester promoters Dog Eat Dog summed it up nicely when they hosted Nguyen earlier this year, stating: "It's as a collector, above all, that Binh is truly special" and that his "selections speak to the wealth of bombs that remain undiscovered, and inspire us to keep digging deeper."

Digging is a dying art. There are a still a handful of big-time DJs who consistently surprise with their selections, but for the most part, if you go and see someone play these days, you know what you're going to get. We're living in the age of internet, where almost nothing is a secret. Electronic music is an open book, with DJ charts, tracklists accompanying almost every online mix and entire forums dedicated to track IDs. Popping into a store selling used vinyl every once in a while no longer sets you apart from the many thousands of other DJs playing similar music—the internet is a digger's most powerful tool, but it takes time to utilise it properly. There are only so many ways to mix two records together in a club, and selectors now must work harder than ever to have a singular voice.

This all runs parallel to the notion that DJing as an art form isn't as appreciated as it once was. In today's climate, producers make one or two popular tracks and are rewarded with club dates irrespective of how well they can mix. You can hardly blame them: making music is their main passion, and many of these individuals have neither the time nor the inspiration to spend hours each week trawling through online (or physical) stores. Add digital promo services to the equation (most touring DJs will receive hundreds of digital releases via email each week) and you have an increasingly predictable DJ landscape. Selectors with the ability to truly boggle your mind are rare—any DJ can throw down a few unknown gems, but it takes an extremely dedicated digger to stack their sets with them. When Nguyen is on the decks, each time he brings in a new record, you get a feeling that this is the only time you're ever going to hear it.

Berlin is home to a small group of house DJs for whom digging is key, and many of them are connected to Club Der Visionaere. Nguyen is a core member of this group and is among the German capital's best selectors, known for long sets teeming with impossible-to-find tracks. He's in his early 30s and has been DJing for over a decade. For most of that time, he's been a relatively unknown name, known mainly to fans of the stripped-back house Club Der Visionaere is home to. In the last few years, however, his reputation stretched beyond the heads-y Berlin circuit where he cut his teeth, earning gigs across Europe and the US.

SUPPORT DJs

DJ Blue 一个具有极强律动感和灵魂音色的舞池掌控者，minimal tech house 是她的标志....

在她的音乐里你可以听到爵士，迷幻，古典，实验电子的影响，2018年开始音乐制作，她制作的音乐风格游走在 melody house/techno 之间。

黑色的影像在闪动着自己独有的姿态，一个来自导演系的新声音，用影像融合音乐。使之相互的理解。Bugsy专注遨游在4/4拍中，确能在4/4拍里找到不同的答案，有时像沉郁的湖里上升着缓缓的暗流，有时主观的用强硬快速的音乐去敲击Raver。总之，bugsy不断的探索人们精神状态最纯粹的连接，持续的输出着自己的声响系统。

B·AI在2018年开始其电子音乐制作人和DJ的道路。2019年B.AI受邀远赴日本德国各地城市演出并成为第一个在德国知名厂牌uncanny valley发表podcast的中国DJ。她的音乐风格以house为基点，复古的Detroit sound, 高能的funky，沉浸的downtempo，内敛的minimal， 甚至是热闹的Nu-Disco，B·AI都能将这些元素完美融合在她的DJ现场当中，希望能以其充满爱和温度的音乐给听众带来治愈感。

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